Berkshire Eagle
July 2023 | Jeremy Yudkin
On Sunday evening at Tanglewood, while over 15,000 people were enjoying the Americana-folk Grammy-winning combo of Led Zeppelin veteran Robert Plant and bluegrass musician Alison Krauss, with guest singer-songwriter JD McPherson in the Koussevitzky Music Shed, just a short walk away a much smaller group of classical chamber-music lovers was reveling in the superb music making of the Pacifica Quartet at the delightful small concert hall, modestly named “Studio E,” at the Linde Center for Music and Learning.
Classical Candor
February 2023 | Kari Nehring
Anthony McGill is the principal clarinet for the New York Philharmonic and he plays with a strong, confident tone that is a wonder to behold. He is joined on this release by the multiple Grammy Award-winning Pacifica Quartet to play music by contemporary American composers. McGill describes it as a project driven by the desire to “expand the capacity for art and music to change the world,” further observing that “as an artist you don’t often get to put together a collection of living composers that you love. I am in awe of every piece on this album and how each piece communicates with the other.”
The Whole Note (Toronto)
February 2023 | Max Christie
“This is a great recording. What is not to like here? The Pacifica quartet are excellent, Anthony McGill turns the clarinet into a beautiful distinct voice.”
Atlanta Audio Club
December 2022 | Phil Muse
Anthony McGill, principal clarinetist of the New York Philharmonic, shines once again in another glowing collaboration with the Pacifica Quartet. Their earlier album of Quintets by Mozart and Brahms (Classical Reviews, August 2014) was memorable enough as a pairing of two great works. This new release entitled American Standards shines forth for a different reason, as it showcases works by American contemporaries whose time has come to be heard by a wider audience.
Cleveland Classical Review
May 2021 | Timothy Robinson
“We are so happy to be performing in front of a live audience again. Just saying the words gives me shivers.” These were the words of Mark Holloway, violist in the Pacifica Quartet, at their splendid performance with clarinetist Anthony McGill, presented by Tuesday Musical on May 4 at E.J. Thomas Hall.
Chicago Tribune
December 2020 | Howard Reich
Best Classical Recordings of 2020!
Three of America’s most engaging composers - Shulamit Ran, Jennifer Higdon, and Ellen Taaffe Zwilich - are the “contemporary voices” of this bracing album by the superb Pacifica Quartet. Of key importance: the world premiere recording of Ran’s “Glitter, Doom, Shares, Memory” - String Quartet No. 3, dispatched in unmistakable and apt ferocity.
Classical Candor
December 2020 | John Puccio
Sharon Isbin is accompanied on the album Souvenirs of Spain and Italy by the Pacifica Quartet: Simin Ganatra, violin; Austin Hartman, violin; Mark Holloway, viola; and Brandon Vamos, cello. They perform four pieces by Spanish and Italian composers, giving us a little taste of both countries. To say that the performances are polished and sparkling would be an understatement.
San Francisco Classical Voice
September 24, 2020 | Richard Ginell
The Pacifica Quartet has amassed a large discography for Chicago’s Cedille label over the last 20 years — most notably an impressive complete Shostakovich quartet cycle with fellow Soviet composers of the period as discmates. The complete quartets of polar opposites Felix Mendelssohn and Elliott Carter (the latter on Naxos) also figure in their catalogue (they proved their mettle at UCLA in 2003 by daring to play all of the Carters in one exhilarating evening). Now the foursome checks in with a Cedille CD of three contemporary works by three distinguished living composers, all of whom happen to be women.
Contemporary Voices
November 2020 | Colin Clarke
The disc exemplifies many aspects of how contemporary music should be presented so it can shine: superb recording standards (achieved by producer James Ginsburg and engineer Bill Maylone), expert annotation, and performances of a standard up there with the likes of the Arditti Quartet. This showcase of three Pultizer-winning composers is utterly remarkable.
Pacifica Quartet serves up a bracing disc of women composers
August 2, 2020 | Lawrence Budmen
Otis Murphy, a faculty member at Indiana University’s Jacobs School of Music, conquers every virtuosic challenge, playing with clarity, tonal glow and idiomatic zest. The Pacifica players bring the same finely blended ensemble, intensity of expression and sense of adventure to Zwilich’s score and the other works on the recording that they have displayed in Beethoven and Shostakovich quartets, live and on disc.
5 Minutes That Will Make You Love Mozart
July 1, 2020 | Corinna da Fonseca-Wollheim
The clarinet held a special place in Mozart’s heart. Inspired by Anton Stadler, an instrument maker and brilliant player, he wrote music for the instrument that was unprecedented in both its lyricism and jubilant virtuosity. One of these groundbreaking works is the quintet for clarinet and strings, which contains a slow movement of weightless, bittersweet perfection.
In the beginning, the clarinet unspools long, placid lines over an undulating haze of strings, setting a mood of pastoral peace. Then a solo violin breaks free and engages the clarinet in a pas-de-deux full of playful runs and graceful ornaments. When the violin melts back into the background, the clarinet returns to its opening theme, the atmosphere now subtly changed and clouded with melancholy.
Infodad.com
August 6, 2020
Ran’s third quartet (2012-13) was written for the Pacifica String Quartet, and Higdon’s Voices (1993) is dedicated to the group, so the quality of the performances here is scarcely a surprise – and the handling of Zwilich’s “quartet-plus” from 2007, in which the strings are joined by alto saxophone, is also exemplary.
Zwilich’s quintet . . . is the most interesting work on this disc, not only for its inclusion of the alto saxophone but also for the evenness with which Otis Murphy’s playing integrates with and is balanced by that of the string quartet – both as a whole and in terms of the individual instruments
Only Strings: New Music and Chamber Music
July 30, 2020 | Paul Baker
The Quartet in Residence at Indiana University’s Jacobs School of Music, Pacifica are stunningly good musicians and this package should delight anyone knowledgeable about, or curious about, new music.
The Sunday Times
July 19, 2020 | Paul Driver
The Pacifica Quartet presents three vivid works written for them. Ran's Glitter, Doom, Shards, Memory (her third string quartet) is an acutely felt memorial to the painter Felix Nussbaum, who died in Auschwitz. Jennifer Higdon's Voices begins with a relentless "Blitz" of figuration, but works steadily for serenity across a three-movement span. Otis Murphy joins them for Ellen Taaffe Zwilich's attractive Quintet for Alto Saxophone and String Quartet, and blends in uncannily well.
Classical Music Sentinel
July 2020 | Jean-Yves Duperron
…what all three works demonstrate very well, is how musically flexible and versatile the members of the Pacifica Quartet can be. From the sorrowful opening page of the Ran to the almost funky ending of the Zwilich, they first and foremost capture and project each individual composer's intent and character, however divergent they may be.
Sarasota Herald-Tribute
June 14, 2019 | Gayle Williams
Pacifica Quartet astounds in Music Festival program
Drawing this concert to an electrifying end, the Pacifica Quartet took off into a presto of remarkable speed drawing an audible gasp from this listener at their audacity and astonishing skill.
Overheard from one audience member as the crowd leapt to their feet, “Now that’s why we are here!”
The Sydney Morning Herald
June 19, 2017 | Clive O'Connell
Splendid technical accomplishment of Shostakovich string quartet
This ensemble from Indiana has performed previously at the Musica Viva Sydney Festival, but not here. Now on a national tour, the visitors presented the second of two programs on Saturday.
They have recorded all 15 of Shostakovich's string quartets, so programming No. 3 in F was a no-brainer. Also, the players have given complete Beethoven quartet cycles from New York to Tokyo; consequently, their reading of the last in the series found them on equally familiar turf.
Nevertheless, the program's capping-stone came in the Shostakovich: a splendid technical accomplishment without apparent flaw across all five movements, the last pages in particular a moving instance of the Pacifica's sympathy and insight.
Chicago Classical Review
January 18, 2016 | Lawrence A. Johnson
Pacifica Quartet's dark, thoughtful program feels timely at the Logan Center
If the subzero temperature outside the Logan Center for the Arts Sunday afternoon wasn’t brutal enough, Shostakovich’s music made things even more chilling.
The Pacifica Quartet has made Shostakovich one of their specialities since their memorable complete survey of his quartets at Ganz Hall five years ago. Sunday’s performance of the Quartet No. 13 showed that their mastery in this repertoire has only deepened, and elegiac moments seemed to have an extra depth of feeling.
The New York Times
December 10, 2015 | Vivien Schweitzer
The Pacifica Quartet Interprets Composers' Last Words
Schubert knew he was dying when, in 1828, he wrote his final three piano sonatas. Beethoven was deaf and ill in 1826, the year before he died, when he composed his String Quartet No. 16. But Elliott Carter was still going strong when he finished his String Quartet No. 5 in 1995, at 87. He composed dozens more pieces before he died in 2012, completing his last work just a few months before his death at 103.
Still, even if more a late, late work than a swan song, Mr. Carter’s String Quartet seemed a fitting inclusion on the Pacifica Quartet’s program on Wednesday evening at the 92nd Street Y. Called “Last Words,” it featured the final string quartets written by Beethoven, Carter and Janacek.
Pittsburgh Post-Gazette
November 11, 2014 | Robert Croan
Pacifica Quartet evokes visceral response to works by Ravel, Ligeti, and Mozart
Is Ravel’s String Quartet everyone’s favorite piece of chamber music? Probably not, but in any poll it would certainly appear high on the list.
An extraordinary rendition of this popular work Monday evening capped a splendid program by the Pacifica Quartet on Chamber Music Pittsburgh’s series in Carnegie Music Hall.
The playing by Pacifica Quartet -- violinists Simin Ganatra and Sibbi Bernhardsson, violist Masumi Per Rostad and cellist Brandon Vamos -- was characterized by immaculate precision, on-the-mark intonation, incisive rhythms and a sense of give-and-take among the participants that made every piece seem like a conversation among the protagonists.